To start anew.

"Solen" / "The Sun" (1909 - 1916), by Edvard Munch.

Happy New Year.

The Technological Imperative

"The Scream" (1893), by Edvard Munch

I was watching the trailer for the film Naqoyqatsi and noted the tagline, "There is no more nature. There is only technology." That assertion made me think about the tense relationship between the two, and how the modern world is caught somewhere in the middle.

When philosophers invoke "the technological imperative", they refer to two closely related ideas that try to describe how human beings have come to perceive technology:

1) Once technological advances have been made, further progression is inevitable. In this sense, technological growth - and man's embrace of it - is unavoidable and can not be reversed. For example, can you imagine a future world in which people desired black and white televisions and gravel roads? How about one that rejected the use of antibiotics or tractors? Interestingly, while our society as a whole seems to accept that technological progress is inescapable, some individuals still attempt to moderate the impact of its onward march. Consider that Amtrak now carries a single "quiet car" on most northeastern routes in which cell phones can not be used, and some couples avoid pharmaceutical birth control strictly because it is "unnatural".

2) If something can be done (if it is technically possible), then it ought to be done. The most oft cited example of this view was the French politician Jacques Soustelle who said of the atomic bomb, "Since it was possible, it was necessary." This second view goes beyond the first notion of inevitability by suggesting a moral imperative. Therefore, if we can go to Mars, we ought to. If we can keep a man alive for 200 years, we ought to. If we can find a technical solution to a problem (perhaps one that has a compelling human or spiritual solution), we ought to employ technology.

Should we, really?

I am a big fan of technology, but I am increasingly wary of its influence on our lives, specifically the way in which it separates us from nature and deprives us of authentic human experience. Or, as Max Frisch put it,

“Technology is a way of organizing the universe so that man doesn’t have to experience it.”

What is "natural" and how much of our existence should include this quality, even at the expense of efficiency? I can't say that I know for sure. Email is fantastic, but we should weigh the value of a typewritten letter with the value of a face-to-face encounter. Does checking the weather online provide us the same connection to the earth as going outside and taking measurements - and does that matter? Is the use of a stethoscope really as valuable as a doctor putting his ear on your chest? Maybe, and maybe not.

The painting above is "The Scream" (1893), by Edvard Munch. In his diary, Munch wrote of this day, "... my friends walked on, and there I still stood, trembling with fear - and I sensed an endless scream passing through nature." I believe that it was good for Munch to feel nature's cry. I doubt that he would have had the same experience watching this sunset on television.

Regret

"Melancholy" (1891), by Edvard Munch

Love is so short, forgetting is so long. Pablo Neruda

It took me less than half a lifetime to realize that regret is one of the few guaranteed certainties. Sooner or later everything is touched by it, despite our naive and sensless hope that just this time we will be spared its cold hand on our heart. Jonathan Carroll

Regret for the things we did can be tempered by time; it is regret for the things we did not do that is inconsolable. Sydney Smith

If only. Those must be the two saddest words in the world. Mercedes Lackey

Accept life, and you must accept regret. Henri Frederic Amiel

To regret deeply is to live afresh. Henry David Thoreau

My one regret in life is that I am not someone else. Woody Allen

Vampire

While often identified as "Vampire",
this painting by Edvard Munch is properly titled
"Love and Pain" (1893-1894).

Does she love and comfort as she takes his life? Does he hope to die in her arms? Mr. Munch certainly believes that there is pain in love.

Madonna

"Madonna" (1894-1895), by Edvard Munch